Two-Lane Blacktop
Masters of Cinema / Michael Laughlin Productions (1971)
Drama
In Verzameling
#198
0*
GezienJa
5060000700695
102 min. USA / English
Blu-ray  Region B   15
Laurie Bird The Girl
Warren Oates G.T.O.
Harry Dean Stanton Oklahoma hitchhiker
James Taylor The Driver
Dennis Wilson The Mechanic
Regisseur
Monte Hellman
Producent Michael Laughlin
Gary Kurtz
Schrijver Floyd Mutrux
Rudy Wurlitzer
Camerawerk Jack Deerson
Gregory Sandor
Muzikant Billy James

A driver and a mechanic travel around the United States hopping from drag strip to drag strip in a 1955 Chevy Bel-Air coupe. They race for money, betting with their competitors. The pair gain a young and talkative female stowaway. Along the way they unintentionally attract a well-to-do drifter driving a new Pontiac GTO. This older man, looking for attention, antagonizes their efforts.
Editie gegevens
Editie Masters of Cinema
Release Datum 23-1-2012
Verpakking SteelBook
Beeldverhouding Anamorphic Widescreen (2.35:1)
Ondertitels English (Closed Captioned)
Geluidssporen DTS [English]
Lagen Enkelzijdig, Dubbellaags
Aantal Disks/Banden 1
Persoonlijke Gegevens
Aanschafdatum 2012
Aanschafprijs € 15,00
Koppelingen Amazon.co.uk
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IMDB

Materiaal
New restored high definition master, supervised and approved by Monte Hellman Original mono soundtrack, opptional newly remastered 5.1 mix, plus an optional music & effects track Optional English subtitles for the deaf and hearing-impaired Audio commentary by Monte Hellman and associate producer Gary Kurtz On the Road Again: Two-Lane Blacktop Revisited - Hellman revisiting the film's locations (43:00) Somewhere Near Salinas - Monte Hellman interviews Kris Kristofferson (28:00) Sure Did Talk to You - featuring interviews with producer Michael Laughlin, production manager Walter Corblenz, and the director's son Jared Hellman - directed by Monte Hellman (24:00) Rare archival screen-test footage of James Taylor and Laurie Bird (26:00) Original theatrical trailer 36-page booklet with an on-set report from 1971, rare imagery, and a new essay by Brad Stevens